ENGL 2600: Bible as Literature (Tracy)

The study of the Bible has long included a literary aspect with great attention paid not only to what was written but also to how it was expressed. The detailed analysis of biblical books and passages as written texts has benefited from the study of literature in classical philology, ancient rhetoric, and modern literary criticism. This volume of the Lexham Methods Series introduces the various ways the study of literature has been used in biblical studies. Most literary approaches emphasize the study of the text alone-its structure, its message, and its use of literary devices-rather than its social or historical background. The methods described in Literary Approaches to the Bible are focused on different ways of analyzing the text within its literary context. Some of the techniques have been around for centuries, but the theories of literary critics from the early 20th century to today had a profound impact on biblical interpretation. In this book, you will learn about those literary approaches, how they were adapted for biblical studies, and what their strengths and weaknesses are.

Tom Henn's classic work represents an important and illuminating reading for the student of English literature and religion, the general reader of the Bible and the Bible lover. Based on the King James (Authorised) Version of the Bible, Dr Henn looks critically at the epic, narrative, lyric and dramatic qualities of the sacred texts. He examines the Bible's unique "forge of style" and the imagery which so profoundly give the Bible its Biblical character.

This comprehensive text approaches the Bible from a literary/historical perspective and studies it as a body of writing produced by real people who intended to convey messages to real audiences. Avoiding assessments of the Bible's truth or authority, the authors maintain a rigorously objective tone as they discuss such major issues as the forms and strategies of biblical writing, its actual historical and physical settings, the process of canon formation, the sources of the Pentateuch, and the nature of such biblical genres as prophecy, apocalypse, and gospel. Each chapter is an independent yet related essay.

Until recently, studies of the Bible centered on finding sources for historical knowledge, theological insights, or ethical advice, overlooking the true beauty of the words in the "book of books." This collection of six essays by noted literary critics and biblical scholars breaks new ground by exploring the Bible as poetry, rhetoric, and narrative. The authors treat such issues involved in biblical narrative as its genesis, its revisionist dynamic, its fictional character, its interpretive nature, and its contradictions, prejudices, and claims.

For women, [the Bible's] meaning is particularly complex; traditionally, [it] has been used to keep women in their place, but it has also been a book of enduring inspiration. Out of the Garden marks a new stage in women's relations to the Bible: this is the first collection of essays in which women read and respond to the Bible out of pleasure and curiosity--free to explore what is really relevant to women's lives. Drawing on their own experiences and interests, Louise Erdrich, Cynthia Ozick, Fay Weldon, Phyllis Trible, Rebecca Goldstein, June Jordan, Ursula K. Le Guin, and twenty-one other writers boldly, imaginatively--and sometimes reproachfully--address the Old Testament stories, characters, and poetry that mean the most to them. Thoughtful, challenging, and playful, these beautifully written essays explore the Bible in fresh new ways. Out of the Garden reclaims the Bible for women and shows readers that the Bible is a source we can return to again and again.

Rediscover the incomparable literary richness and strength of a book that all of us live with an many of us live by. An international team of renowned scholars, assembled by two leading literary critics, offers a book-by-book guide through the Old and New Testaments as well as general essays on the Bible as a whole, providing an enticing reintroduction to a work that has shaped our language and thought for thousands of years.

Just as the Reformation was a movement of intertwined theological and political aims, many individual authors of the time shifted back and forth between biblical interpretation and political writing. Two foundational figures in the history of the Renaissance Bible, Desiderius Erasmus and William Tyndale, are cases in point, one writing in Latin, the other in the vernacular. Erasmus undertook the project of retranslating and annotating the New Testament at the same time that he developed rhetorical approaches for addressing princes in his Education of a Christian Prince (1516); Tyndale was occupied with biblically inflected works such as his Obedience of a Christian Man (1528) while translating and annotating the first printed English Bibles. In The Book of Books, Thomas Fulton charts the process of recovery, interpretation, and reuse of scripture in early modern England, exploring the uses of the Bible as a supremely authoritative text that was continually transformed for political purposes. In a series of case studies linked to biblical translation, polemical tracts, and works of imaginative literature produced during the reigns of successive English rulers, he investigates the commerce between biblical interpretation, readership, and literary culture. Whereas scholars have often drawn exclusively on modern editions of the King James Version, Fulton turns our attention toward the specific Bibles that writers used and the specific manner in which they used them. In doing so, he argues that Spenser, Shakespeare, Milton, and others were in conversation not just with the biblical text itself, but with the rich interpretive and paratextual structures that accompanied it, revolving around sites of social controversy as well as the larger, often dynastically oriented conditions under which particular Bibles were created.